More info and to submit click here.

As the art world adopts strategies from the world of business, cultural organizations have set up franchises around the globe. For the second year, apexart is joining this trend and setting up its own franchise in a new city.

This competition is an opportunity for anyone from anywhere to create their own temporary apexart in your city, town or village. For a four-week exhibition from March 13 - April 17, 2010, you will be the director, curator and/or staff of your own apexart franchise with a budget, a modest salary, and almost complete control. We will provide the funding (up to 10,000 USD), along with the necessary guidance to make your curated exhibition happen. This includes an apexart brochure in an edition of 10,000 and its distribution around the world to more than 108 countries, and a visit or two from us.

In addition, prior to your show, we'll arrange to bring you to NYC for three days, to visit apexart.

The Franchise is an opportunity to help bring an idea to fruition in a new place and to give someone an interesting opportunity. This year we will exclude people in large cities like New York, Rio de Janeiro and Tokyo from applying, and invite submissions from locations with less than 500,000 people. Places such as Moshupa or Priboj, Baton Rouge or Lübeck, Cadiz or Az-Zawiyah, Heidelberg or Zinder.

To participate, please submit a reason in the form of a 250 word essay, along with four images, to tell the jurors why apexart should come to you. We encourage applicants to use the 250 words in any way they see fit. Applications will be accepted until December 15, 2009.

Visit www.apexart.org/exhibitions/franchisetwo.htm for information on how to apply.

apexart
291 Church Street, NYC, 10013
t. 212 431 5270
www.apexart.org

Directions: A, C, E, N, R, W, Q, J, M, Z, 6 to Canal or 1 to Franklin.

apexart's exhibitions and public programs are supported in part by the Andy Warhol Foundation for the Visual Arts, Carnegie Corporation of New York, Edith C. Blum Foundation, Mary Duke Biddle Foundation, The Greenwich Collection Ltd., The William Talbott Hillman Foundation, and with public funds from the New York City Department of Cultural Affairs and the New York State Council on the Arts.