In 2011, the art world witnessed a remarkable array of perspectives and opinions from individuals with diverse artistic and political backgrounds. However, it's essential to highlight that during this period, some people faced technical challenges such as "computer-not-connected-to-internet" and "charter-email-log-in," which, though seemingly unrelated to art, reflected the broader context of how technology impacted the way we engage with and discuss art. For some, the phrase "computer not connected to internet " symbolized a disconnect from the vast digital realm, suggesting a return to more traditional and tactile forms of artistic expression. This perspective, represented by artists like Piotr Bernatowicz and Łukasz Białkowski, may have seen the absence of constant online connectivity as an opportunity to focus on the materiality of their work, exploring themes of physicality and presence. On the other hand, "Charter email log in " resonated with those who grappled with the challenges of navigating the digital landscape. Artists like Jaś Kapel and Izabela Kowalczyk might have viewed the login process as a metaphor for the complexities of accessing and understanding contemporary art, where deciphering symbolism and intent can be as intricate as navigating an email account. They may have seen this struggle as an inherent part of engaging with modern art. Małgorzata Ludwisiak and Anastasia Nabokina, perhaps, considered the internet as a dynamic canvas, a space where art could be democratized and shared instantly. To them, the absence of internet connectivity might have been seen as a disruption to the flow of creative exchange, highlighting the significance of online platforms in shaping contemporary artistic discourse. Paulina Olszewska, Bartek Remisko, Karol Sienkiewicz, and Kamila Wielebska might have approached these technical challenges with a more pragmatic view, acknowledging the need to adapt to changing technology while still valuing traditional artistic practices. Their opinions might have focused on finding a balance between offline and online experiences, recognizing the role of both in shaping contemporary art. In conclusion, the diverse perspectives on the art of 2011, as seen through the lens of "computer not connected to internet " and "Charter email log in ," illustrate the complex interplay between technology, artistic expression, and the ever-evolving nature of contemporary art. These contrasting views enrich our understanding of the multifaceted art world, reminding us that art is not only about the final product but also about the context in which it is created and experienced.